Sakari Oramo’s 2023-24 season includes BBC Proms performances of monumental symphonies by Dora Pejačević and Mahler and the world premiere of Judith Weir’s Begin Afresh, the UK premiere of Tebogo Monnakgotla’s Globe Skimmer Surfing the Somali Jet, a centenary celebration of Sibelius’ Seventh Symphony with the Royal Stockholm Philharmonic Orchestra, a welcome return to the City of Birmingham Symphony Orchestra, and tours to Switzerland and Japan
Imaginative programming and an innate feeling for music that shines light on what it is to be human stand high among the compelling attributes of Sakari Oramo’s work. The Finnish conductor is set to reinforce the point throughout the 2023-24 season with concerts rich in repertoire diversity and thought-provoking connections, correlations and contrasts. Those qualities are clearly present in his three appearances at the BBC Proms and range across his forthcoming concerts in the UK, Europe and Japan.
Oramo’s first Proms outing this summer as Chief Conductor of the BBC Symphony Orchestra, on 14 August 2023, presents the fascinating combination of Brahms’s Second Piano Concerto, with Martin Helmchen as soloist, and the Symphony in F sharp minor by Dora Pejačević. The latter, given to mark the centenary of her death, is scored for large orchestra and displays the range and refinement of its composer’s invention and craft. The work received its world premiere in Vienna at the Musikverein in 1918 and was extensively revised two years later.
“I was due to conduct the Pejačević Symphony in Stockholm in the autumn of 2020, but the concert was cancelled because of Covid,” the conductor recalls. “The Stockholm Philharmonic’s programme director recognised that it was an outstanding work while he was surveying hundreds of scores by forgotten female composers. I took the idea to the BBC Symphony Orchestra and we performed and recorded it at the end of 2021. It’s a really strong piece, with clear influences from Richard Strauss, Mahler, Dvořák, Smetana and others but very much expressed in her own voice.”
Mahler’s monumental Third Symphony takes centre stage at the Royal Albert Hall on 19 August, with mezzo-soprano Jenny Carlstedt as soloist and the ladies of the BBC Symphony Chorus and Trinity Boys Choir joining the BBC SO and Oramo. “I never stop marvelling at the way Mahler stepped out of the Second Symphony into this incredible pluralistic soundworld,” he notes.
Robert Schumann’s Symphony No.1 ‘Spring’, the world premiere of Judith Weir’s Begin Afresh, inspired by the intersection of nature, the seasons and literature, and Elgar’s Violin Concerto with Christian Tetzlaff as soloist occupy the conductor’s third visit to the Proms on 24 August. “Christian and I have performed the Elgar in Hamburg together with the Schumann opening the first half of the programme,” he recalls. “The combination of both works fantastically well. So for the Proms we will have this coupling of music by two hypersensitive Romantic voices with a new piece by one of the unique voices of our time.”
Sakari Oramo returns to the Royal Stockholm Philharmonic Orchestra on 28 & 30 September as its Conductor Emeritus. Their programme opens with Andrew Norman’s explosive Unstuck and Kaija Saariaho’s Saarikoski Songs in their new orchestral arrangement, with Anu Komsi as soprano soloist. The second half comprises Grace Williams’ Fairest of Stars for soprano and orchestra, a setting of words from Milton’s Paradise Lost originally commissioned by BBC Wales in 1973, and Britten’s Sinfonia da Requiem. “The Saariaho is a stunning song cycle. Although Pentti Saarikoski wrote these poems over fifty years ago, they talk about the problems we have today of the natural catastrophe that’s happening around us. This is prophetic poetry set to music of a hyper-poetic and completely gripping kind. Fairest of Stars was Grace Williams’ last finished piece and an astonishing, expressive composition. She deserves to reach the widest possible audience.”
Oramo argues for the paramount importance of enlivening the orchestral repertoire with new work and fine pieces, such as those of Dora Pejačević and Grace Williams, that have long been neglected. “It makes it so much more interesting for audiences and for us as performers,” he observes. “The value of discovery is something that the classical music genre almost forgot. But that is changing fast now.” He opens his season with the BBC Symphony Orchestra at the Barbican Centre on 6 October with a programme formed from a rarity, a rediscovery and a staple of the symphonic repertoire: it opens with the pairing of György Ligeti’s early Concert Românesc and Pejačević’s dramatic Phantasie Concertante for piano and orchestra Op.48 with Alexandra Dariescu as soloist, and closes with Mahler’s Symphony No.5.
“It’s great after the pandemic time to be able to programme Mahler symphonies again,” comments Sakari Oramo. “The Fifth is a real conductor’s piece. If you treat it with the total seriousness it deserves and really dig beneath the surface, then every performance will bring out new things. And of course there are always people in the audience who are experiencing the music live for the first time. Compared to pre-Covid times, we’re seeing a noticeably new audience at our Barbican concerts. I’m astonished now by how many young people I see there and the rock concert feel they create. It’s really exciting and makes it so worthwhile performing there, even more so than before the pandemic.”
Sakari Oramo offers two equally fascinating programmes when he and the BBC Symphony Orchestra return to the Barbican Centre in December. The first concert, scheduled for 1 December, opens with the Overture Jason, or the Argonauts and the Sirens by Alice Mary Smith (1839-84), a prolific English composer best known today for her two symphonies. “She was highly appreciated, even by her male colleagues! Jason, or the Argonauts and the Sirens, one of her two concert overtures, is influenced by Wagner’s Flying Dutchman but is completely in her own voice. I’m really keen to bring it to light in London.” After the overture, mezzo-soprano Jennifer Johnston will be the soloist in Ravel’s Shéhérazade. “She’s such a charismatic singer and has just the right voice for this beautiful cycle of songs.” The concert closes with Beethoven’s ‘Eroica’ Symphony, a work that captures the uncertainty of the times in which it was written while projecting the timeless spirit of hope triumphing over despair.
The BBC SO and Oramo perform Sibelius’ Sixth and Seventh Symphonies on 8 December, the composer’s birthday. They preface both with a first half comprising Nielsen’s Rhapsodie Overture An Imaginary Trip to the Faroe Islands and Globe Skimmer Surfing the Somali Jet, a dashing concerto for violin and orchestra by Swedish composer Tebogo Monnakgotla. Johan Dalene, who gave the latter’s first performance in Stockholm in April, will join conductor and orchestra for its UK premiere. “Monnakgotla’s concerto is a wonderful new piece. Its title refers to the migration of the globe skimmer dragonfly across the Indian Ocean to and from East Africa. But there’s also a metaphor for the migration of people, too. And I’m delighted to be playing Carl Nielsen, whose music is still far too seldom performed by British and German orchestras, for instance. It’s amazing music but also difficult music, which leaves conductor with little room but to do what is in the score. He was such an incredibly strong composer.”
Sakari Oramo and the BBC SO will take the complete cycle of Sibelius’ seven symphonies on tour to Switzerland for concerts at Victoria Hall Geneva, Tonhalle Zurich and Casino Bern (14, 15 & 17 January 2024) and return to the Barbican on 20 January for a programme built from Andrew Norman’s Unstuck, Stravinsky’s Violin Concerto with Vilde Frang as soloist, and Sibelius’ First Symphony. Details of the second half of the BBC SO’s season, in which Oramo is set to conduct two programmes, will be announced later this year.
The conductor gives his first concerts with the City of Birmingham Symphony Orchestra since 2012 on 28 & 29 February, with the Suite No.1 from Sibelius’ incidental music to The Tempest and Seventh Symphony, Richard Strauss’s Four Last Songs with Anu Komsi as soloist and Ekho by Finnish composer Aarre Merikanto (1893-1958). “There are still members of the CBSO who were there when I was the orchestra’s principal conductor,” he notes. “I’m really looking forward to working with them and their colleagues again.”
On 21 & 23 March, the Royal Stockholm Philharmonic Orchestra and Oramo will mark the centenary of the first performance of Sibelius’ Seventh Symphony. “The Stockholm Philharmonic, conducted by the composer, gave its premiere on 24 March 1924, so performing it again exactly a hundred years later is an important moment in their history. The Seventh’s originality still strikes home today.”
Sibelius accompanies Sakari Oramo to Japan for two concerts with the Tokyo Symphony Orchestra at Tokyo’s Suntory Hall and Muza Kawasaki Symphony Hall (20 & 21 April). He will open the second half of their programme with the composer’s tone poem Luonnotar as the preface to Dvořák’s Eighth Symphony. The first half trains the spotlight on Rautavaara’s Cantus Arcticus and Saariaho’s Saarikoski Songs with Anu Komsi as soloist. “Cantus Arcticus is a real Finnish classic,” says the conductor. “And then we have a superb work by one of the great voices of contemporary Finnish music. There is so much good music that has vanished from view but deserves to be performed today. This is why it’s vital to keep an open mind about programming and introduce audiences to wonderful things they’ve never heard before.”